Recently a discussion came up about the details in a book–the writer was changing them on the fly. This made for a confusing read, but it also got me thinking. Not about the need for copy or line edits, but about the details in any story. To me, it’s all about the details.
I’m a writer who needs to see a scene in my mind. I also need to have the smells vivid, and all the senses involved. Is it cold out, hot, windy, dry, damp? What are the background noises like? These are the things that make a story come alive for me–not just as a writer, but as a reader. It’s the stuff every writer needs to think about–and to weave into the story.
Now this isn’t about dumping a ton of details onto a reader. But think about a great painting. There’s thought behind the art–there is also contrasts of light and dark, there’s attention to what takes up space and what space is left empty. The same goes for a great movie–the details that surround not just the character but the settings are layered in with great attention.
Those details all pile up to mean something. Every detail should matter. What a character chooses to wear, to eat, to drive (or ride if it’s a historical) all matter. You don’t want to stuff your character into generic clothing–the colors, the textures, the styles all mean something. We show our personalities in what we choose to wear, in the jewelry we select, the tattoos we get, the hair styles we adopt. And our settings–the furniture, and how its cared for (or not)–all mean something about who we are as people.
So, writers, pay attention to the details. Don’t go for the general–be specific. Be vivid. Don’t settle for black as a color. Is that a black really a deep brown which is visible in edges and tips? Or is it a deep black that reflects blue in the light? Or is it a flat, dull black like cheep hair dye? Does the wind have a cold bite that stings the skin or is it a soft warmth? Experience the world through a fresh set of senses and bring the reader with you by going for details that really create a strong scene. Weave in the tastes that travel in the air and linger on the tongue. Use sounds that jar or relax or add tension. Add the touch of the breath of the country-side which is different than in the city where it can press on the skin, heavy and hard. Describe the smells that evoke feelings of coming home (home-made bread) or feelings of unease (the stench of decay). And use the sights that your character drinks in–for what a character notices says a lot about that person.
Be vivid–and pay attention to your own stories. Make them better than real. That’s what we all want to read.
Any progress on ‘the captain’s lady with Diane and the Captain??
Yes, the book is almost done and should be out this June!